Ryuichi Sakamoto Through the Lens: Photographs from the 1980s Reveal Another Side of the Composer

From Tools to Nature: Yoichi Ochiai’s “null²ⁿ” Opens in Yokohama, Expanding the World of Digital Nature Beyond Expo 2025

Laforet Harajuku Becomes a Giant Playground: Inside Masaki Hanahara’s “LAFORET THE PLAYGROUND”

Japanese Culture Has Many Forms: Isetan Shinjuku’s JAPAN SENSES Explores Japan’s Creative Present

TOFROM YAESU Opens in Tokyo—Reimagining Yaesu Through Alleys, Long-Established Restaurants, and Art

Gen’ichirō Inokuma’s 20 Years in New York: Art, Friendship, and Reinvention at Japan Society Gallery

The 73rd Japan Traditional Kōgei Exhibition at Nihombashi Mitsukoshi: Around 550 Works from Living National Treasures to Emerging Artists

Neither Art Becoming Clothing nor Clothing Becoming Art — A-POC ABLE ISSEY MIYAKE × Tomokazu Matsuyama Creates a New Structure of Expression

Who Designs the Memories We Take Home? — Starbucks’ “Discovery Series” Reimagines Japan’s Local Culture

I’m So Happy You Are Here: Rewriting the History of Japanese Photography Through the Eyes of Women

Why Does Ultraman Continue to Be Reimagined?—SHUWATCH with U and 60 Years of Imagination

20 Years After The Girl Who Leapt Through Time: Tracing the Creative Origins of Mamoru Hosoda

Gucci Discovers Japanese Beauty Through Cloisonné—A Dialogue of Flora and Kachōfūgetsu with Ando Cloisonné

Japanese Knives the World Admires—How Shun Reflects the Cutting Edge of Craftsmanship

Can Humans Become Cameras? Why JINS and Sigma Joined Hiroshi Sugimoto's CAMERA MAN

Can Nishijin Weaving Become a Medium of the Future? — HOSOO Explores a New Relationship Between Textiles and the Digital World in Milan